Produced by Portishead co-founder Geoff Barrow, this sharp-edged though slight first film turns a sceptical eye on 90s rave culture. Venal drug user David (the actor) first robs an passed-out supplier, then in a later recollection tries to burgle his own parents. In no time, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Woodsman (Sleaford Mods frontman Jason Williamson). Declining to free David, with no time for townies, he is broken Britain embodied: “You’re one of those loud individuals from up on the heath.”
A Shaky Start and Grimly Amusing Confrontation
Game gets off to a shaky start, spending too long on meticulously detailing David’s attempt to extricate himself from his safety harness, while clumsily segueing into past scenes of his everyday life. The bigger point – that the rave-era youth were primarily out for themselves – is firmly made. But these brief episodes are insufficiently developed to adequately prepare us for what to expect when the Woodsman turns up, enraged after David kills his dog. Nevertheless, a darkly funny standoff takes hold – David desperate to escape; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding heavy threat in the role, is evocative of Michael Smiley.
Visual Flair and Promo-Inspired Sensibility
There is only one important plot development, but it results in a comically executed rampage on the woodland paths that dips close to folk horror. Filmmaker John Minton at last unleashes with his showy imagery: where he was focused intently doing artful shots of bugs in headlights in the early stages, he now lets rip with the full psychedelic 21-gun salute, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an extended promo than a complete narrative, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the Brit music promo scene.
The film is in British and Irish theaters from 17 November.
